Dawn Scarfe

Texts:

• Koepnick 2021: Resonant Matter: Sound, Art, and the Promise of Hospitality, Bloomsbury pp. 122-126
• Weibel 2019: SoundArt Sound as a Medium of Art (MIT Press) pp. 400-401
• Soundcamp 2019: 'Biosphere Open Microphones (BIOM) - towards a network of remote listening points in the UNESCO Biosphere Reserves', Soundscape Vol. 17
• Soundcamp 2018: 'The Live Audio Archive' Leonardo Journal (MIT Press)
• Scarfe, Dawn, 2017: 'Swell Engine' in Uniformannual (Uniformbooks) pp. 112-115
• Scrimshaw, Will 2017: 'Writing Out Sound' Immanence and Immersion (Bloomsbury) pp. 86-88
• Müller and Scarfe, 2017: 'The Beacon' Uniformagazine No. 10 Summer 2017 (Uniformbooks) pp. 26-31
• Scarfe, Dawn 2016: 'Bivvy Broadcasts' Environmental Sound Artists ed Bianchi and Manzo (Oxford University Press)
• SoundCamp 2016: 'Sounds Nothing Like the Sea' Performance Research vol. 20 no. 2 (Routledge)
• SoundCamp 2016: Sounds Remote (Uniformbooks)
• Scarfe, Dawn 2016: 'Action at a distance' The Plantation (TOPOS Exeter)
• Scarfe, Dawn 2016: '55°36'55.7"N 1°44'52.9"W' Listening and its not ed Farmer (SARU and Compost and Height)
• Soundcamp 2015: 'Soundcamp' Uniformagazine No. 3 Spring-Summer 2015 (Uniformbooks) pp. 22-24
• Thomas, Nathan 2014: 'Audiograft 2014: A Festival Report', Fluid Radio
• Scarfe, Dawn 2013: 'Listening Glasses' On Listening (RGAP/CRiSAP)
• Wright, Mark Peter 2013: Ear Room
• Scarfe, Dawn 2012: 'Resonating Bodies' PhD thesis, Goldsmiths, University of London
• 2012: 'Košice sa rozozvučia...' [Sound City Days review] Košický Korzár
• Khazam, Rahma 2011: 'TONSPUR expanded: The Loudspeaker' Onsite, The Wire Magazine no. 324 February p. 71
• Khazam, Rahma 2011:'Vom elektronischen Fernsehen zur unsichtbaren Architektur' Springerin no. 2 (Vienna: Folio Verlag) pp. 12-13
• Scarfe, Dawn 2010: 'Listening Glasses' Performance Research vol. 15 no. 3 (Routledge) pp. 43-6
• Costa, Jose Manuel 2010: SOUnd ART - ARTe SONoro (Barcelona: Actar) pp. 159, 193-4
• Schwegler, Hannah 2010: 'Consonance and Reverberation: introductory remarks at the opening of TONSPUR 36' (Vienna: TONSPUR)
• Hampton, Michael 2010: 'Deception and Delight - Processing The Grand Plasto-Baader Books,' The Blue Notebook vol. 4 no. 2 (Bristol: CFPR) pp. 25-28
• Carlyle, Angus and Revell, Irene eds. 2009: Sound Escapes (London: Electra) pp. 27, 37
• Morgan, Frances 2009: Reviews: Sound Escapes Frieze issue 126
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Interviews, editions, other:

• 2022: Interview with Alan Dein for The Sonic Century: The Microphone, BBC Radio 3 Sunday Feature
• 2021: Interview with Alžběta Žabová for Art Café, Czech Radio Vltava
• 2021: CAMP We Are Happened Reveil part 1
• 2020: Making Waves on WGXC: Reveil, a network of daybreak microphones by NAISA
• 2017: Wearehappened w/ Stephen McLaughlin, 199radio
• 2017: Standing in the stream, with John Lane
• 2016: Corollaries 9 / Crónica 118~2016
• 2015: Here and Now, BBC Radio 3, Cut and Splice Festival, episodes 1 and 2, 3rd and 10th October
• 2015: ( ( ( foundscape ) ) )
• 2014: 'Tuning to Spheres' Melange Edition
• 2014: A Quiet Position, Screened
• 2013: 'Symmetry in Nature' vinyl for Foam
• 2013: Soundry
• 2012: Touch Radio 81
• 2012: Radical Glass Music
• 2012: Neck of the Woods
• 2012: A Quiet Position
• 2012: Slow Swells glass disc with Aleks Kolkowski
• 2011: Afterword distributed by Kaleid Editions
• 2009: On the Practical Use of Listening Glasses distributed by Kaleid Editions
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